The Union Jack-emblazoned stab vest worn by Stormzy during his headline slot at Glastonbury was designed by Banksy, the artist has revealed.
In a post on Instagram, Banksy wrote: “I made a customised stab-proof vest and thought – who could possibly wear this? Stormzy at Glastonbury.”
Stormzy shared the post on Twitter, adding the caption: ”Absolutely f****** speechless.”
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The 25-year-old rapper said his headline slot on the Pyramid Stage on Friday was “the greatest night of my entire life”.
The set, which aired live on the BBC, saw the crowd chant along to the words “F**k Boris”, in reference to Boris Johnson, the frontrunner to succeed Theresa May as the prime minister of the UK.
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Revellers enjoy the bonfire and fireworks in the Sacred Space at the end of the first day of Glastonbury Festival
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Festival goers warm up prior to the gates opening at 8am on the first day of Glastonbury 2019
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Festival-goer Penelope Gwen dances with LED hula hoops on the second day of Glastonbury Festival
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A man wears an LED face mask on the second day of Glastonbury Festival
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Festival goer Jo stands among a tree feature as she arrives on the first day of Glastonbury 2019
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A festival goer drinks from a beer bong prior to the gates opening at 8am on the first day of Glastonbury 2019
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A man in a pig onesie receives his wristband for the weekend as the gates open at Glastonbury 2019
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A collaboration billboard between Led By Donkeys and Cold War Steve is unveiled at the top of the park on the first day of Glastonbury 2019
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A man carts a wheelbarrow full of provisions for the weekend as he arrives at Glastonbury 2019
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Festival founder Michael Eavis takes a selfie with a festival goer as he greets arrivals to Glastonbury 2019
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A woman dances with LED hula hoops on the second day of Glastonbury Festival
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Tents at the campsite on the second day of Glastonbury Festival
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A man arrives armed with his ReadyBed on the first day of Glastonbury 2019
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Festival goer Glammy Glitter wears her bejewelled Glastonbury hat as she arrives at the festival
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Arrivals cart their provisions for the weekend to their campsites on the first day of the festival
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England fans watch on at Glastonbury
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Sarah Adey and Jack Watney marry at Glastonbury on Thursday 27 June 2019
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Festival goers eat ice-cream during the Glastonbury Festival in Pilton, Britain, 27 June 2019.
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A reveller stands proudly so people can admire his colourful headgear
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An overview of the scenes at Worthy Farm on Thursday 27 June, 2019
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Sheryl Crow serenades the crowds on a sun-soaked day at Worthy Farm on day three of Glastonbury
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George Ezra performs
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Bastille frontman Dan Smith performs on the Pyramid Stage
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Festival-goers watch Bastille perform at Glastonbury 2019
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Bastille frontman Dan Smith performs on the Pyramid Stage
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A festival-goer takes a drink in the West Holts area
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Crowds gather to watch Stormzy perform on the Pyramid Stage
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Stormzy performs in the headline slot on the Pyramid Stage on day three of Glastonbury
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Arcadia unveil their new stage design ‘Pangea’ during day three of Glastonbury
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Arcadia’s new stage design, Pangea, at Glastonbury Festival 2019
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A festival-goer carries an illuminated umbrella through the Arcadia area
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A woman dances with LED hula hoops on the second day of Glastonbury Festival
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Revellers enjoy the bonfire and fireworks in the Sacred Space at the end of the first day of Glastonbury Festival
Getty
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Festival goers warm up prior to the gates opening at 8am on the first day of Glastonbury 2019
Adam Gray / SWNS
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Festival-goer Penelope Gwen dances with LED hula hoops on the second day of Glastonbury Festival
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A man wears an LED face mask on the second day of Glastonbury Festival
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Festival goer Jo stands among a tree feature as she arrives on the first day of Glastonbury 2019
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A festival goer drinks from a beer bong prior to the gates opening at 8am on the first day of Glastonbury 2019
Tom Wren / SWNS
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A man in a pig onesie receives his wristband for the weekend as the gates open at Glastonbury 2019
Adam Gray / SWNS
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A collaboration billboard between Led By Donkeys and Cold War Steve is unveiled at the top of the park on the first day of Glastonbury 2019
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A man carts a wheelbarrow full of provisions for the weekend as he arrives at Glastonbury 2019
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Festival founder Michael Eavis takes a selfie with a festival goer as he greets arrivals to Glastonbury 2019
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A woman dances with LED hula hoops on the second day of Glastonbury Festival
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Tents at the campsite on the second day of Glastonbury Festival
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A man arrives armed with his ReadyBed on the first day of Glastonbury 2019
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Festival goer Glammy Glitter wears her bejewelled Glastonbury hat as she arrives at the festival
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Arrivals cart their provisions for the weekend to their campsites on the first day of the festival
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England fans watch on at Glastonbury
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Sarah Adey and Jack Watney marry at Glastonbury on Thursday 27 June 2019
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Festival goers eat ice-cream during the Glastonbury Festival in Pilton, Britain, 27 June 2019.
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A reveller stands proudly so people can admire his colourful headgear
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An overview of the scenes at Worthy Farm on Thursday 27 June, 2019
Getty
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Sheryl Crow serenades the crowds on a sun-soaked day at Worthy Farm on day three of Glastonbury
Joel C Ryan/Invision/Bioreports
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George Ezra performs
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Bastille frontman Dan Smith performs on the Pyramid Stage
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Festival-goers watch Bastille perform at Glastonbury 2019
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Bastille frontman Dan Smith performs on the Pyramid Stage
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A festival-goer takes a drink in the West Holts area
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Crowds gather to watch Stormzy perform on the Pyramid Stage
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Dave J Hogan/Getty Images
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Stormzy performs in the headline slot on the Pyramid Stage on day three of Glastonbury
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Arcadia unveil their new stage design ‘Pangea’ during day three of Glastonbury
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Arcadia’s new stage design, Pangea, at Glastonbury Festival 2019
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A festival-goer carries an illuminated umbrella through the Arcadia area
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The statement is part of the lyrics to the rapper’s track “Vossi Bop”, released in April of this year, which sees him declare: “I’ll never die, I’m Chuck Norris/F**k the government and f**k Boris”.
It was one of the few overtly political statements of the set, although The Independent‘s Jazz Monroe wrote: “But to look for outright polemic misses the point. From the disarming ballet suite to footage of grainy street spats on the video screen, the set seeks to erase the binary between those people of colour deemed, by the ruling class, to be acceptable and those not.”
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